Odyl and Facebook Marketing: Worth it for Authors?
What does it take to get your FB page noticed as an author? How can you market your brand name as an author and make book(s) more visible to fans and potential new readers?
Here is a company that appears to have a solution. Odyl has its eye on authors. From what I can see, it markets not only to the big six, but also to smaller publishing sites and indie authors through a fully integrated Facebook platform. What does this mean for authors? Take a look at what author J.T. Ellison has to say in a guest post on Odyl website. She’s not the only one touting its virtues. I scouted around the web and found several authors using Odyl to boost their visibility and sales.
I’m interested in seeing what it might cost for such a grand scheme. Sent a note to Odyl to have a look at prices and see if they have something manageable for new authors. I’ll let you know the results. Have a look at the article from AllFacebook.
Facebook Marketing Tool Odyl Boosts Authors
- New reads: what’s your method of discovery? (guardian.co.uk)
- Thursdays with Amanda: Why Unpublished Authors Need Websites (chipmacgregor.com)
Can you take the Heat?
If someone asks for a critique, or for you to go over their writing, should you? Would you be kind or let ‘er rip and tell them what’s not working for you? On the receiving end, how do you handle being Critiqued? Today, I read a manuscript from an acquaintance, then related what I felt worked and what didn’t. Instantly I became public enemy #1.
In nicer words than those here, I pointed out a lack of tension causing the story to flag and my interest to wane. I tried for constructive criticism— because I want very much for my fellow writers to keep working at it and not give up– applauded parts that flowed to the concept of the tale; but mentioned disconnects between actions of the characters and the reader trying to comprehend the flow of the story. The key here is, what I took in was what the writer conveyed in their manuscript.
The writer decided I am too much of a novice to critique them and could not see the picture they conveyed. Au contraire; I was picturing Giovanni Ribisi, one of my favorite actors, in the Protagonist role, and I tried to see scenes in full realization as they stuttered past in my mind, Giovanni looking for direction. I presented a few suggestions that might improve the MS, but the writer rejected any alterations, fearing tidier segues would change it too much; if they introduced more feeling of the place, tried to build a bit more on the characters, then it wouldn’t be their story anymore. Topping off the list of backpedaling the writer expressed they shouldn’t have to personally explain each scene for a reader to get it.
On the last gripe I agree. The writing itself should speak to me. Setting, conflict and resolution should convey to me, the Reader, what is happening in the story. Tension should keep me wanting to turn the pages to find out what happens next, and each scene should ease into the next instead of me flipping back and forth to find a connection; bringing to mind Giovanni: all apologetic, his character says, “I’m sorry, but can you point me to the nearest segue?”
I have come to the conclusion that some folks don’t really want a critique. They want you to read their work and tell them it has points so well-formed they stab you in the eye while perusing the brilliance of their DARLING bit of fluff, and now you must wear an eye patch and become a pirate, you are so blown by the wave of their stature.
Give me an effing break. Better still, don’t ask for a critique if you can’t take the heat.
Here is my take on how to handle a Beta Reader‘s POV: Welcome the harsher voices, the gulls of Criticism if you will; their opinion is as valuable, perhaps more so, than the sweet voiced variety of Critique.
The best Authors and Writers, or at least my favorites, are happy to have people read and share their thoughts of the characters and settings and how these work with each scene. Equally, they welcome the point where you fell asleep reading their tale. This is because they want to kill that bit of needless fluff to make it read better, and take their writing to the next level. They crave, I crave (!) to know what interferes with the flow of the story, where the bogs are that suck away the action, when it is too candy coated and needs added complexity, or where the story has too much description and wants a good conversation between the prime characters, or even the comic relief to ease darkness, just a little, see? A good Critique gives you possibilities.
The best thing about encouraging your friends and acquaintances to read your work, to critique it, is that they are your first audience! *applauds beloved Beta Readers* If you pay attention, really take their constructive criticisms to heart, you will discover that their eyes are invaluable, because they are not in your head. They are Joe Reader. If they get it, chances are your future audience will, too. If they are struggling to wrap their heads around a passage, perhaps you should revisit and make that concept clearer.
It is human nature to balk at criticism, but if we unplug from our initial negative reaction, we open ourselves to the Reader, gleaning that pearl of wisdom that makes our story have luster. So, leap into that boiling cauldron with a smile. Find some Readers to critique your work, then tell them to please, turn up the heat, you can take it. Your work will be better for it, and your naysayers will at the very least respect you for being able to swim in the deep end of the pool of magma.
Well folks, my manuscript calls…a great friend of mine red-inked the heck out of it…for which I thank her! I’ll take the advice and change what needs tending, toss the rest…that, too is valuable. 🙂
See You Around,
- Love Dare – “Daring Feedback” (selvangovender.wordpress.com)
- It’s not you, it’s us (smpauthors.wordpress.com)
- Hear no evil: caution, critique group ahead (roxieh.wordpress.com)
- Up Close – Critique – some basic lines (theriverjournal.org)
- Critiquing, a new experience (artfulhelix.wordpress.com)
And the Blog played on…
This weeks Blog is dedicated to Tunny, who gave me props for focusing more on the Writing of my manuscript and less on my Blog. So, it is a little ironic that I’m here blabbing to all the world about it, but it got me thinking about all the ways in which I procrastinate about hitting the keys.
If you are like me, it’s really hard to make yourself write more and visit with folks less. There always seems to be one more person you can share with, one more funny email you can respond to, eight more things you could Blog about, someone who needs an answer to a text message, etc., right?
However, all the texting, visiting or emailing with any of those wonderful people are sucking up time you could be spending on your manuscript. You wanna get those idea down on the page? You need to detach a little from your electronic umbilical cords, and tell everyone to sit tight, you’ll get back to them after you’ve written the next chapter.
Now that I know I can begin a story, craft a middle, and have a notion of an end, from where I’m at now, the point is to COMPLETE my manuscript . Completing my manuscript needed to become, and has become more important to me than socializing.
If I spend a majority of time Blogging, my manuscript writing time suffers for it, period. But, because it is my Blog about my writing, it’s okay to take a break now and then and Blog for a little while. Did y’all catch that, NOW & THEN .
I am Blogging now because I took a bit of Writer’s Break. I was on a writing roll for the last several hours, body starting to grow sore and stiff, and my eyes feeling a bit dizzy. Good time for a break and a cuppa Joe. So, I decided to check my email and I noticed a comment on my Blog. This being my break, I allowed myself to follow it, and here’s why:
I’ve a new rule about breaks: During a Writer’s Break, all socialization and attachment to the electronic umbilical cords must be solely to people who are Authors or Writers.
I know that other Writer’s understand the need to be mostly absent from the world so you can write, and you don’t expect me to Blog or contact you every day. You expect me to have my nose to the proverbial grindstone, churning out the pages and mixing my metaphors. I expect the same of you…except the part about hashing up the metaphors.
One of my favorite Authors, Seanan McGuire said, “Writing a book is a solitary exercise, actually finishing it is not.”
She is referring to all the people who helped her in getting her manuscript through all of the stages of proofing and the many people it took to read and reread and hack out the stuff that she couldn’t see through to edit out herself, along with those who hosted her when she was writing abroad, and folks who simply listened to her whine. Notice that even on the home stretch there is still a lot of writing to do? I highly recommend McGuire’s Blog 50 Thoughts on Writing for her best Writing tips. Check it out.
So, our writing Blogs are important for us as Writers aspiring to be Authors. They are a place where we can get writing advice when we are crumpling up the 20th false start. They are a safe venue for venting our frustrations and cheering ourselves and each other on when the going gets tough and the tough want to quit and take an aspirin and a shot of whiskey, or to offer the same to another Writer in need.
All of this until the day we become an Author. That’s when our Blogs become part promotion and part lesson, where we answer questions about how we got there to our fans, and why we didn’t off ourselves instead to our worst critics.
Right. Time to get back to my manuscript, folks. Thanks to you all for reading this Blog, and may you get right back to your manuscripts; my coffee is finished and this Writer’s Break is over!
What? Are you still here? We’ve got work to do! Ciao, C.K. Garner 😀
On Writer’s Blog
I’m afraid I owe you an apology. I have been neglecting you lately, I know. Like a houseplant or a pet you desire interaction, and must have your nutrients and my time to be happy and thrive, and I have been spending my time with a different love.
This may be hard for you to hear, but I feel I must say it, just get these guilty feelings out so I can clear the air! So, yes, I have been neglecting you in order to spend quality time with my manuscript. She’s so creative and beautiful, and I find that the more time I spend with her the better she gets, and the more rounded a writer I become.
So, I just want to say that our relationship has to be whittled down to, I hope, a mutual friendship. I just need a little space to work on my relationship with my manuscript and see where that will take me…Us.
Just remember, you can rely on me still, as a friend, a shoulder to cry on, whatever you need. I promise to visit periodically, but I don’t feel it is fair to you to stay in a close relationship…for now.
It’s not you, it’s me.
I’ll be seeing you around.
More On Audience:
I commented to a recent blog: Foetal Positions in an attempt to explain why I blog to an audience, but it got lengthy, so I decided to expand on the manuscript portion of my answer here. For me, content and character are high on the list in choosing my audience, and you might consider examining this for yourself if you elect to have an audience at all.
I thought I was writing a fantasy novel for adults, but it may be a young adult novel instead, or perhaps a young adult dark fantasy book, due to its content and character development leaning in that direction.
Though the situations may be a bit dark, young people live in a much harsher reality than society gives them give them credit for understanding. By the time they are teens many are exploring darker imagery. However, beyond the darker side of life and pushing boundaries, my manuscript is growing into a coming of age story on its own, but I think that it can be enjoyed by adults, too.
Now, this was not really my initial plan, but rumor has it there is an audience for YA fiction, and lets face it, who amongst us wouldn’t want to have our scribblings published, perhaps be successful enough at the game that we can, if not quit our day job, ease up on those hours and devote more time to writing?
I have another manuscript started, a horror novel. This second enterprise is definitely adult in content, moreover involves murder, sex and violence, and it is already holding steady in the adult audience position of its own accord, the characters dealing with adult situations more graphic than in my fantasy novel, even as they grow through solving the mysteries and murders, and evolve in their character arc.
My audience with the first novel, when I’m published, will likely be adults at first; those who have guided me on my journey, and those friends who will buy one to show support, but I’ve a feeling my young adult audience will trickle their way through to find my bit of work, and with any luck, come back for more.
The second novel will pull in a mature audience, and have a following in perhaps both the horror and dark fantasy genres.
Here is one thing to keep in mind when writing to your audience, and your intentions and responsibilities toward them: This quote by agent Jon Sternfeld: “All genres are mysteries…”
What this means is that you, as a writer are attempting to engage your audience, your readers in a play of, “Hey, there’s a mystery to solve here,” or a dilemma to overcome, etc., and you promise, as an author to give them a bit of a peek, a chance to anticipate, participate, and unravel the clue, to care about the characters, and solve the problems presented, regardless of genre.
- Media Mondays: The YA Genre In A Grown Up World (bookchelle.wordpress.com)
- Make Room for YA Short Fiction: Scape (zoramc.wordpress.com)h
- Foetal Positions: On Audience
J.K. Rowling plays nicely with all the tropes and genres..
I’ve been thinking about Harry Potter today in relation to writing my own novel. I dusted off my son’s battered old copy of Harry Potter and the Sorcerer’s Stone by J.K. Rowling, abandoned now that my son is twenty and moved out into the muggle world as a young adult, and began rereading it, with an eye for what drives this little volume that started a worldwide reading frenzy.
After a few chapters, I caught up on a few things that I had seen before in many, many books happily read over the years. At the most obvious, this is a classic coming of age story.
Harry has the ability to grow, and the reader, if he starts reading this as a child, will mature right along with him, can relate to him from every aspect of what it is to be a kid. From what he is required to eat as opposed to what he wants to eat, from the tedium of studies, to happiness with professors he enjoys, and the schoolyard bullies, lurking around the corners, kids, and adults who remember being a child, can relate to him.
Then there are the friendships that develop as Harry gets to know Hermione Granger, Ron and the whole Weasley clan, and learns how to relate with the other students. He goes from a lonely child to a boy with close friendships.
Finally, there are the adult figures.
Harry has absolutely no experience with adult characters beyond the Dursleys, and he has no reason to trust any adults. But with the arrival of childlike, if intimidating Hagrid, Harry begins to see adults in a new light, and this will continue as he grows and meets Dumbledore, Professor McGonagall, and the rest of the cast, keeping in mind, he meets the not so nice ones as well, but chooses who he will associate with, once he has freedom of choice beyond the Dursley House. Thus, Harry Potter comes of age before our very eyes through his interactions with humanity, or rather Wizards and Half Bloods and Muggles who touch his life, and change him mostly for the better.
Next, Harry Potter is a rags to riches story. He sleeps in a cupboard, and lacks bedroom, pets, toys, friends, family and good inside or outside activity. He has no one who sees or cares what is happening to him at the Dursley’s hands. Creature comforts as simple as a decent bed and a good meal are denied him. Just a couple of chapters in, he is eating savory sausages, has a protector and companion in Hagrid, and finds a new place, richly vibrant and alive in contrast to his life with the Dursleys. The money wealth is only secondary with all that comes his way.
Last, but only because this is such an involved subject, the tropes available just endless, Harry Potter is the classic tale of Good against Evil, and the struggle of our protagonist to learn about himself, the sacrifices his parent made, the eventual knowledge that his father wasn’t always the nicest kind of guy, the ambition to push forward and become a leader, albeit reluctantly, and the battle against the Ultimate Foe, one who goes after children…well, the need to choose between the good and the ugly and the middling ground in between lay in at the door of this classic Genre series.
So, what to do with this deluge of information?
I take it as a lesson that my novel doesn’t have to fall into just one category or subject arena. Sure, it’s nice to bust out with something original, but the tropes laid down in stories past are still going because they are beloved familiars. I can twist and tweak them at will just like J.K. Rowling did and does. The good guys can become bad, the bad good. The rich can become richer, and the poor stay poor, or the poor can gain wealth to no good end. The lonely find a host of company, or just the reverse, find delight in the art of being alone. It’s all up to me, and to you, the writers.
Blog while you write to promote your manuscript, and learn the ropes of publishing before you finish.
>There is a lot of advice about writing out there, but many sites fail to mention that you need to learn the ropes about publishing before you finish your manuscript. Since I’m a new writer long the path to author, I was concerned when I got to the halfway point that I didn’t know a thing about how to get published once I have my manuscript completed and edited a thousand times.
Then I stumbled across Nathan Bransford’s Blog about Writing and Authorship. Bransford, a former agent for Curtis Brown, Ltd. and now an Author, talks about what you need to do ahead of time, things you should be researching ahead of your completing a manuscript. Under the title, “How to find a Literary Agent” you can connect to his straight talk about the work you need to do. Blogging is a start.
You can read Bransford’s solid advice about how to begin, HERE. Bransford champions learning about and beginning to promote yourself by connecting with other Writers and Authors and learning about agents before you need them…makes sense, right? So let’s get Blogging! Meanwhile, KEEP WRITING.
>What’s in a Name? How do you choose a pen name and should you?
>Do you recognize any of these Author names? Richard Bachman, Mark Twain, J.D. Robb, Paul French, David Axton, Joanne Rowling, Dawn Cook.
They are Stephen King, Samuel Clemens, Nora Roberts, Issac Asimov, Dean Koontz, J.K. Rowling, Kim Harrison. So when do you use a pen name?
There are several reasons to publish under a Nom de Plume instead of your own. In some cases, for an already established Author, a switch to a different genre is the push. For instance, while Auroa Hartsmith might be an okay name for a romance author, it might not work for a horror author…unless she is rewriting a new version of Frankenstein.
Another reason is privacy. Some authors are pretty quiet in their home lives. They may not want to share so much of their real persona with the public until they are putting on their game face for press reviews and panels and signings. There are also authors who are writing about controversial or adult subjects. Their privacy is important because of possible harmful repercussions to their dayjobs or public reputations.
An author may want to write more books than a publishing house is willing to commit to, so writing under a different name helps the author avoid legal entanglementsif they move to a new house, or even publish for themselves. It all depends on the contract entered in to originally.
A new Author may want to keep their options open for future publications to varying audiences. Perhaps the voice you are writing in now is suitable for children’s literature, but say you want to use the same name to write a horror or adult novel. The voice would change according to the audience, and the subject matter would be inappropriate for the kiddies, so the name should follow suit, to avoid complications.
Some Authors simply don’t feel the name has a good ring to it, and they want a name that sounds younger, or older according to their tale.
Choosing a pen name that does not give away your gender can be helpful in marketing your book to a larger audience. Unfortunately, it is still common that people tend to buy books leaning toward a certain gender for a specific genre. J.K. Rowling’s publisher felt that her gender might limit her target audience in marketing a book with a boy protagonist. J.K. Rowling instead of Joanne Rowling is a gender neutral choice.
And here’s an interesting snippet: When an author chooses a name, they may be encouraged by their publisher to select a name that comes after the letter “E” and before the letter “N” in the alphabet. This is because, according to market research, people have a tendency to look at titles from those that are near the top to middle of the shelves. They are less likely to choose a title from the lower shelves.That means that if you have a last name starting with a “Z” your work will not be as visible to the customer trying to find a good read.
So, many authors do use a pen name for many and varied reasons. I didn’t see a whole lot of cons discussed, and in fact, the pros are numerous, so I wrote this Pen Name Blog in a positive light. Have fun choosing yours!
C.K. Garner =^,^=